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| Michael Draine's Twisted
Vista |
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| Massacre |
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| Killing Time |
| (ReR) |
| Concussive. Staccato.
Ear-shredding. The |
| ultimate avant-garde
power trio. Intended as |
| a one-off released by
Celluloid in 1981, |
| Massacre’s Killing Time remains one of the |
| most unforgettable
recordings of the early |
| ‘80s. Upon the
original LP release, a Boston |
| Phoenix critic compared Massacre
to |
| Mission of Burma playing
Henry Cow charts. |
| The Burma reference remains
current 25 |
| years later, and Dr. Nerve and
Bone |
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| have built on the scorched
earth left by |
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| Massacre. The album remains
Frith’s most |
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| savage attack on the electric
guitar, |
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| with formidable support
from bassist Bill |
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| Laswell and drummer Fred
Maher. Howls, |
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| chirps, ‘50s sci-fi sounds,
and metallic |
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| riffing unheard
elsewhere in the Frith |
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| catalog are flawlessly
integrated into |
|
Music Review Index |
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| the trio. Laswell only
occasionally reverts |
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| to the offensive belching the
later |
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| distinguished his pallid
funk. Brief notes |
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| detailing that Massacre
made their debut on |
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Twisted Cinema |
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| Valentine’s Day opening
for Peter Blegvad in |
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| New York clarify cryptic
comments on the |
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| original sleeve. Two
previously unreleased |
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| cuts, five bonus tracks
from the earlier |
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| CD issue, and Gravity’s "Conversations With |
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| White Arc"
render this 64min. razor-sharp |
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| remaster the
definitive document of the pre- |
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| 1998 reunion Massacre.
While the original |
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| Massacre’s final gig took
place at the |
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| Whiskey-a-Go-Go in
1981, Frith, Laswell, and |
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| Anton Fier played Massacre
material as |
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| the Golden Palominos in
early 1985. The |
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| players never overpower
or compete with each |
|
original LP cover |
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| other, occasionally
slowing to provide open |
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| spaces. The previously
unreleased, heavily |
|
| reworked
"FBI" TV theme is the closest |
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| Massacre ever
strayed to the "art-surf" the |
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| group was tagged with for lack
of any |
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| generic reference
points. Killing Time |
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| remains a sublime example of
collective |
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| improvisation, a marriage
of the musical |
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| legacy of Rock In
Opposition and the fresh, |
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| frantic energy of the
emerging NY Downtown |
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| scene.
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| Michael Draine |
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| www.rerusa.com |
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